Fact Finder - Music

Fact
The Origin of the Name 'Deep Purple'
Category
Music
Subcategory
Famous Singers & Bands
Country
United Kingdom
The Origin of the Name 'Deep Purple'
The Origin of the Name 'Deep Purple'
Description

Origin of the Name 'Deep Purple'

You might know Deep Purple as one of rock's heaviest acts, but their name traces back to a gentle 1933 piano ballad. Ritchie Blackmore's grandmother frequently played the song, and that childhood nostalgia drove him to push the name over alternatives like "Orpheus" and "Sugarlump." The band had originally operated under "Roundabout" before ditching it during a 1968 Scandinavia tour. There's even more to this story than you'd expect, and it only gets more interesting from here.

Key Takeaways

  • Ritchie Blackmore suggested "Deep Purple" after his grandmother frequently played the 1933 Peter DeRose piano composition throughout his childhood.
  • The band originally operated under the name "Roundabout," a concept proposed by Chris Curtis envisioning a constantly revolving lineup of musicians.
  • "Deep Purple" beat out other candidates including "Orpheus," "Concrete God," and "Sugarlump" during a 1968 Scandinavia tour.
  • Coincidentally, "Deep Purple" was also the name of an acid variant circulating in California, inadvertently boosting the band's U.S. appeal.
  • Jon Lord confirmed Blackmore's personal nostalgia drove the name choice, a decision that foreshadowed his dominant creative influence within the band.

The 1933 Song That Sparked the Name Deep Purple

The song "Deep Purple" dates back to 1933, when pianist and composer Peter DeRose published it as a piano composition. Its song origins began as a purely instrumental piece, and it wasn't until 1938 that Mitchell Parish added lyrics, creating a lyrical influence that pushed it onto radio charts in 1938-39.

DeRose, born in 1900, became a Hall of Fame musician who broadcast on NBC from 1923 to 1939 alongside May Singhi as "The Sweethearts of the Air." Paul Whiteman recorded the first version in 1934, scoring it for big band orchestra. The composition became DeRose's biggest hit and even earned a devoted fan in baseball legend Babe Ruth, who enjoyed it performed at his birthday parties for over a decade. The British rock band Deep Purple took their name directly from this song, as it was guitarist Ritchie Blackmore's grandmother's favorite piece, which she played on piano.

The Real Reason the Band Dropped "Roundabout"

When Chris Curtis dreamed up the name "Roundabout," he envisioned a revolving lineup where musicians could cycle in and out freely — but that very concept is what the rest of the band grew to dislike.

The Mark I lineup felt the name didn't reflect their identity or ambitions. Creative differences pushed them toward something more permanent and distinctive, while management pressure accelerated the decision to rebrand entirely.

Curtis's erratic behavior and LSD use had already led HEC to dismiss him from the project. With him gone, the remaining members — Blackmore, Lord, Paice, Evans, and Simper — took full ownership of their direction.

Dropping "Roundabout" wasn't just a name change; it signaled their shift from a provisional concept to a serious, committed musical venture. Much like how public domain release of the World Wide Web's code in 1993 removed barriers and allowed rapid, unrestricted growth, shedding the "Roundabout" concept freed the band to pursue a unified identity without limitations. Similarly, the 1984 Macintosh succeeded in part because Apple licensed mouse-driven interface technology and committed fully to it rather than treating it as an optional feature. The name "Deep Purple" was reportedly added to the list at Deeves Hall by Ritchie Blackmore because it was his grandmother's favourite song.

Why Ritchie Blackmore Pushed for the Name Deep Purple

Ritchie Blackmore didn't just suggest "Deep Purple" — he fought for it. When "Orpheus" nearly clinched the vote, Blackmore stepped in decisively, overriding the near-final choice through assertive leadership that would define his role in the band's early dynamics.

His push wasn't random. The name carried personal weight rooted in childhood nostalgia — his grandmother frequently played Peter DeRose's 1933 song "Deep Purple," and those repeated listenings stuck with him. Jon Lord later confirmed that Blackmore added the name specifically for that reason.

That personal connection separated his suggestion from options like "Concrete God" or "Sugarlump." You can see why it resonated — it wasn't just an edgy label. It meant something to him, and that conviction convinced the others to agree. The band would go on to be inducted into the Rock and Roll Hall of Fame in 2016, a legacy that began with one man's stubborn attachment to a name.

The Names They Almost Chose Instead of Deep Purple

Before Blackmore's sentimental pitch won the room, the band cycled through a surprisingly odd mix of candidates.

You'd find names like Orpheus on the communal board at Deeves Hall, a nod to Orpheus Myth and Greek legend that came remarkably close to sticking. It had cultural weight, but Blackmore's suggestion ultimately edged it out.

Then there's the Sugarlump Whimsy end of the spectrum — light, playful, and completely at odds with the hard rock identity they'd eventually build.

Concrete God swung in the opposite direction, sounding too extreme for the group's taste.

All five members disliked Roundabout, so change was necessary, but finding the right name meant sifting through genuinely strange options before Deep Purple finally clicked into place. The name change decision was made during a 1968 Scandinavia tour, when the group formally agreed it was time to leave Roundabout behind for good.

Why the Name Deep Purple Resonated in the U.S. Counterculture Scene

Once Deep Purple landed in the United States in 1968, the name carried an unexpected cultural charge: a potent acid variant circulating through California's counterculture scene had already claimed the same name. You can imagine how that coincidence functioned as accidental psychedelic marketing — fans already associating the name with intense experiences instantly warmed to the band. Jon Lord credited this cultural overlap as a genuine factor in the U.S. breakthrough.

Their Hush cover simultaneously cracked the Billboard Hot 100's top five, amplifying the effect. The name's counterculture symbolism ran deeper still — it evoked sensory, hallucinogenic imagery that perfectly matched the era's aesthetic, even though it originally derived from a 1930s pop standard. That ironic contrast only made the name more magnetic. The band's early sound was itself rooted in psychedelic and progressive rock, further cementing the resonance between their musical identity and the counterculture landscape they had stumbled into. Much like Tim Berners-Lee's decision to release the web's foundational technologies freely, the open and communal spirit of the era rewarded those who embraced universal accessibility of ideas rather than guarding them behind commercial barriers.